The rise and fall of music groups in the Kenyan entertainment industry is always an intriguing topic, and recently, Arbantone has been facing criticism for what many perceive as a lackluster comeback.
Despite their past dominance on platforms like TikTok, Arbantone's latest output has failed to impress, especially when compared to the powerful return of Gengetone artists in recent times.
Many fans and critics are asking, "Why are Arbantone artists struggling while the likes of Ochunglo and Sailors are making waves again?"
The claim that Arbantone "held the industry last year after Gengetone died" doesn't hold much weight when considering the current success of Gengetone artists.
Last year saw the continued rise of many Gengetone acts who dominated both the charts and the streets.
For example, SSaru, often hailed as the best female musician in East Africa right now, consistently dropped hit after hit, proving her versatility and dominance in the genre.
Breeder, FatherMoh, and Zzero Sufuri also solidified their positions as industry heavyweights, delivering banger after banger that kept fans dancing and singing along.
In addition to these stars, the likes of Trio Mio, Matata, Joefes, Harry Kraze, Iphoolish, Stoopid Boy, and Vintage Clan all had successful years, consistently releasing tracks that resonated with fans.
With their catchy beats, clever lyrics, and unmistakable energy, these artists helped keep Gengetone alive, debunking the idea that the genre "died" last year.
The industry's top players have made it clear that they are here to stay. Their success is a direct response to Arbantone's dwindling relevance. The return of these "real daddies" has shifted the balance, forcing Arbantone and others to rethink their approach.
As it stands, the genre is still very much alive, and the success of Gengetone artists like these proves that the real musical revolution is far from over.
